Instrumentation:
Flute 1 | Timpani |
Flute 2 / Piccolo | Percussion I/II/III |
Oboe 1 | Bass Drum, Tambourine, Snare Drum |
Oboe 2 / English Horn | Mark-Tree, Sus. Cymbal, Piatti |
Clarinet in Bb 1 | Anvil, Triangle, Sistrum |
Clarinet in Bb 2 / Bass Clarinet | Tubular Bells, Crotales |
Bassoon 1 | Glockenspiel, Vibraphone |
Bassoon 2 / Contrabassoon | |
Harp | |
F Horn 1 | |
F Horn 2 | Solo Violin |
F Horn 3 | |
F Horn 4 | Violin I |
Bb Trumpet 1 | Violin II |
Bb Trumpet 2 | Viola |
Trombone 1 | Violoncello |
Trombone 2 | Contrabass |
Basstrombone | |
Duration: ~25:00
Premiered: 01.04.2022
Solo: Yasushi Ideue
Orchestra: Baden-Baden Philharmonic
Conductor: Pavel Baleff
Baden-Baden
I have a deep personal connection with Baden-Baden and the Baden-Baden Philharmonic.
Not only have they premiered several of my compositions, but I have also known some members of the orchestra since my childhood, including Yasushi, the concertmaster. In 2016, while dining at a restaurant after a successful premiere with my father and Judith Kubitz, the former Kapellmeister of the Baden-Baden Philharmonic, Yasushi sent me a WhatsApp message inquiring if I would be interested in composing a solo work for him. I was both astonished and deeply honored by his request.
I hold Yasushi in very high regard, both personally and as an artist.
Yasushi envisioned this Fantasy as a tribute to Baden-Baden, a town that has been home to both of us for over 30 years. Intrigued by this concept, I accepted the challenge, fully aware of the task ahead.
Each movement of the piece is inspired by a specific landmark in Baden-Baden.
I. The Creek
II. The Peak and Beyond
III. The Old Oak
IV. Boulevard of Flowers
Rececent Performances:
07.07.2023 |
Philharmonie Baden-Baden Yasushi Ideue, Heiko-Mathias Förster |
Compiegne (FR) |
06.11.2022 |
Philharmonie Baden-Baden Yasushi Ideue, Pavel Baleff |
Karlsruhe (GER) KIT Audimax |
01.04.2022 |
Philharmonie Baden-Baden Yasushi Ideue, Pavel Baleff |
Baden-Baden (GER) |
PRESS
Erschienen in: BT 04-04/2022 , Nr.59
[...] Schnell und eruptiv bauen sich dramatische Entwicklungen auf, die mit der ganzen Klanggewalt, deren ein Orchester fähig ist, ausgetragen werden, um schließlich doch wieder in ruhigere Gefilde zurückzufinden. Herrliche Klangmalerei.[...] während "The Old Oak" im dritten Satz die unterschiedlichsten Empfindungen auslöst, vom Gefühl sanfter Geborgenheit über melancholische Elegie bis zur großen monumentalen Geste.[...] Kein Wunder also, dass sich das Publikum begeistert zeigte von dem Werk, und dem jungen Komponisten Joosten viel Anerkennung zollte. [...] (Karl-Heinz Fischer)